Ayesha Sultana Pramanik

Ayesha Sultana Pramanik’s artistic journey began during her BFA and MFA studies in the Department of Painting, where she experimented with diverse subjects and mediums. Her work frequently addresses pressing social issues, particularly those emerging in semi-urban and rural areas. She explores the complex consequences of globalization, focusing on themes like deforestation, rising pollution, and humanity’s increasing dependence on medicine in a rapidly changing world. Deeply influenced by her personal experiences, Ayesha’s art reflects her journey as a Muslim woman navigating the challenges of being a visual practitioner. Raised in a Muslim family, she faced societal barriers, which intensified after marrying a Hindu man. These experiences prompt her to question her identity, her rights as a Muslim woman, and her ability to make independent decisions about her life and livelihood. Ayesha’s recent body of work delves into the psychological and behavioral changes caused by prolonged medication use. As a cancer patient, she draws from over a decade of personal experiences to investigate the subtle yet profound transformations brought about by medical interventions. Her artistic practice is rooted in minimalism, with a strong emphasis on drawing. She has explored a variety of forms, including canvas paintings, works on paper, book art, and site-specific installations. Ayesha incorporates unconventional materials into her art, such as thread, discarded medicine packaging, her own worn clothing, and even strands of her lost hair. These elements lend her work a deeply personal and evocative quality, blurring the lines between the physical and emotional realms. Through her art, Ayesha Sultana Pramanik offers a poignant commentary on the intersection of personal identity, societal expectations, and the human condition. Her work invites viewers to reflect on the complexities of existence in an ever-evolving world.

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