Subhankar’s artistic journey began during his formative years in Shantiniketan, where he developed a profound connection with nature and its evolving landscapes. His understanding of nature as a free flow of energy and resources shaped his artistic expression, leaving an indelible mark on his drawings and paintings. Urbanization’s impact on rural landscapes introduced a stark contrast that inspired much of his work. The construction of a bridge over the Ajay River, for instance, significantly altered the region’s ecology and identity. Subhankar rigorously explored these changes, employing cross-hatching techniques to depict the shadows and emptiness of the riverbed. His art reflects the disappearance of natural landscapes while underscoring the minimal presence of humanity, showcasing how nature often overpowers human endeavours. Subhankar later shifted his focus to coal mining, particularly the mines in Jharia, Jharkhand. Restricted access to these mines inspired him to adopt a bird’s-eye perspective, capturing their vastness and depth. His spiral compositions convey a sense of motion, drawing viewers into the complex dynamics of these spaces. Relocating to Bangalore after completing his master’s degree brought another shift in his focus. He began studying the local forest near his residence, documenting its transformation and the chemical changes in its soil. This exploration reflects his ongoing commitment to observing and portraying evolving ecologies. In addition to natural landscapes, Subhankar has explored cultural narratives, such as the traditions of regional aboriginal communities and the Bahuroopis of Birbhum. His work on Ulki body designs, a fading symbol of ethnic identity, highlights the erosion of cultural heritage in the face of modernization. One of his significant works centers on the Sundarbans, where he portrays the deity Bonbibi with unpainted eyes, symbolizing her blindness to the forest’s encroachment by urbanization. Through his art, Subhankar addresses the irreversible consequences of human actions on nature and culture. His work consistently juxtaposes past and present, capturing the fragile balance between preservation and transformation. By painting what he observes and experiences, Subhankar emphasizes the urgent need to acknowledge and address disappearing natural and cultural resources.